Showing posts with label Buffalo Etsy Team blog. Show all posts
Showing posts with label Buffalo Etsy Team blog. Show all posts

Thursday, July 16, 2015

We are the Buffalo Etsy Team!

So you've been wondering, what is the Buffalo Etsy Team? We are a diverse group of Etsy sellers from the Western New York region - mostly in the Buffalo NY area.

Etsy sellers have the option to join teams for networking, information sharing, and other types of assistance.  Teams can be virtual or location-based as we are in the Buffalo, NY area.  The benefit of joining a local team is you get to meet in person and learn from one another face to face.  Many of our team members have developed strong bonds and collaborate with one another in many ways.

The team blog - buffaloetsyteam.blogspot.com - has a number of helpful series for Etsy sellers including:


The blog is loaded with other resources and features both for Etsy sellers and Etsy buyers so its worth scrolling through the calendar on the right side of the screen to find something of interest.

As of July 2015, the Buffalo Etsy Team is now meeting at the Whimsy By Kelly Studio.  Thanks to team leader Kelly we have a dedicated meeting spot where we can hold monthly meetings, workshops, crafting classes and other activities. This team selfie was taken at our July meeting.


The team has over 600 members who reside in the Western New York region though most meeting attendees come from Erie County and Buffalo area.  For those who cannot attend meetings, the team has an active discussion board on Etsy, a team Facebook page, a Pinterest page, and Buffalove on Etsy - a page full of themed collections of items for sale from Buffalo Etsy Team members. If you are looking to see what team members have for sale, visit our Shop Buffalo Etsy Team page.

In addition, the team has held workshops on photography and financial matters, raised funds in a successful campaign to support a veteran's family, and been featured on local TV to promote gift guides during the holiday season.

To join the team, you must be an Etsy seller living in Western New York.  Visit Etsy.com to see more about teams and how to join us by searching for us in the Community section.

Tuesday, July 29, 2014

Citrus Lime Green gifts from the Buffalo Etsy Team

Friday, July 25, 2014

Did I really just quit my job?

I've been my own boss for about 4 weeks now.

I'm starting to get used to my demanding ways,
never being satisfied with the results, giving no recognition for a job well done, and the disregard for my personal life.

As Pete Townsend penned - "meet the new boss,
same as the old boss"

Well, it's not quite like that!! I have to say that I am honestly enjoying the first month of working for myself. I do, however, feel like there is more pressure to perform and certainly more hanging in the balance.

It's probably too early to give much insight, but I have discovered that setting up a routine has helped keep me on track so far.

Being a creature of habit, I knew in advance that I needed to create what  a "work day" would look like, before I began. It seemed it could be a little too easy to get distracted and find myself doing things other than working.

I have two objectives - making and selling my products and growing my DIY website.

With that in mind I have split my day up so the mornings are dedicated to writing new content and maintaining the web site, managing some of the social media (I took a Pinterest course that was very good and have started to work on expanding my business using it), as well as some of the administrative things related to selling my frames.

The afternoons are strictly dedicated to the workshop and creating products to sell.

I don't know how long I will be able to go before this model is disrupted, but I am expecting changes and am ready to adapt as needed. I'm not thinking about picking up any part-time work - yet. I am somewhat comfortable with what I have saved and am happy to say that the month of July has been better than expected as far as frame sales and revenue from the web site.

Next month, I will detail some of the things I did prior to leaving my old job to prepare mentally and financially for this adventure. In the mean time I recommend these two books to anyone who is on the fence about their current job:

The Icarus Deception: How High Will You Fly?



The Dip: A Little Book That Teaches You When to Quit (and When to Stick)

Have a great month!!
Al


Monday, July 21, 2014

Creative Spaces: Where Buffalo Etsians Make Their Magic.


This month’s featured artisan is Sara Goldhawk of Goldhawk Pottery Etc.

Along with running her Etsy shop and being our team captain, Sara is very active in the community teaching classes and exhibiting at craft shows.

Sara has been making pottery officially since about 1998. While living in Washington, DC she decided to learn how to make wheel thrown pottery at a community studio. She’s been making it as a business since 2010.

I asked Sara where she learned her craft. “I have a degree in fine art from Daemen College where I took a hand-building ceramics class, but I did not learn how to “throw” on the wheel until I started at a studio in Washington, DC.  While they were considered lessons, I mostly watched my studio mates at work and eventually got the hang of it.  Since starting my own business, I’ve learned a lot from watching You Tube videos!”




Those of us that work from home have to find a place to create and contain all of our supplies and finished work along with packing supplies and all that comes with
making and selling.

 

Sara said she feels lucky to have a home studio in her Williamsville basement.  “An old pottery wheel was donated to me by a family friend! I love being part of a community studio, but having my own offers a lot more storage space and flexibility.  I also have the added pleasure of having a little thief who watches me – my 1 ½ year old cat Jet.  Recently he has started stealing my paint brushes and taking them upstairs.  I’m not sure what the fascination is but it’s kind of funny!  He has a brother, Jesse, who has no interest in stealing”.
 
 
Having a place of our own where we can go to do what we love can be so important to an artisan. Sometimes we just need to shut out the rest of the world so we can dream and plan and create!
 
 



Sara shares what she enjoys most about working in her own space, “I love working with my hands and crafting something out of nothing.  It may sound corny, but there is an unspoken language - I don’t talk while I’m making it.  I just know when it’s right. Also, I am fully in control of this process, and I make every part of my pottery (except for some tiles that I have recently started to paint). In addition, while I’m nervous having the cats around while I’m glazing (I don’t want them getting dust on their paws), I love it when they visit to watch me at work.  So I’m rarely alone!”
 



I asked her what her “dream studio” would be like. “A bigger, cleaner studio with someone else who does the cleaning!  Keeping the studio clean, and recycling clay is hard work.  There’s a lot of dust from the clay (you have to pound dry clay back into a powder to recycle it), but also dust from the pottery glazes that float around.  More shelves would be nice and perhaps a larger slab roller for bigger items such as platters.
 

 
Sara is one busy women!  She has a very tight schedule in the summer due to her craft shows.  “I show twice a month at the Saturday Artisan Market at Canalside from May to October, so I need to have new work ready twice per month.  That means making pottery (wheel thrown and hand-built) daily for a week (sometimes up to 8 hours a day) followed by a bisque kiln firing, followed by 2-3 days of glazing (which can take up to 7-8 hours a day especially if I am painting details on my work). 
 
 
 
From start to finish, pottery requires at least a week to building, dry, trim, fire and glaze, but it usually takes up to two weeks to complete most things. The day after the kiln is fired and cooling is my most relaxing day because I can do other things.  I can take photos and tend to my Etsy shop, etc. FYI – I consider pottery a part time job, though sometimes it is full time. I do also teach community classes and have consulting work (in arts education) so I have to juggle my schedule quite a bit”.





Having a home studio can require some planning especially if your craft will take up a lot of space. Finding out what works for other crafters can be helpful to those just getting started.





Sara’s pottery requires some expensive equipment and a fair amount of space and consideration.  “If you have never made pottery before, I would not suggest creating a studio without solid experience.  I do have my own kiln which is in the garage, and that required a special electrical set up that only a qualified electrician can do.  My kiln is very large so it requires a lot of power, but there are smaller kilns out there for small loads that may not require as much. You can see many videos of me unloading my kiln on my YouTube page.  I would suggest doing a lot of research before venturing into setting up a studio.  And yes, I’d recommend having a cat or two around to keep you company”!



It has been so interesting learning about Sara’s studio and to see where she creates her beautiful pottery. Thank you Sara for the wonderful photos.

 You can find Sara’s work at:





Twitter: @saragdc




 

Thursday, June 26, 2014

Did I really just quit my job?


As I wind down the last few days of June and my “old life”, I thought it would be a good time for another update. 

Since I wrote last month about my resignation, my mind has been very active.

Initially, it was filled with excitement and feelings of being empowered. I felt like I was on a mission and couldn't be stopped. I kept thinking about the future and all of the possibilities that are surely lying before me.

 After a few days though, I experienced the first jolt of fear. It took me by surprise.

I was getting ready to go to bed, my mind was wandering a bit and all of a sudden my stomach dropped and I thought what am I doing? I’m giving up a steady paycheck, benefits, a sense of security and certainty??? 

What if this doesn't work out?? What will I do then??  It was a pretty powerful jolt.

I've had a few more of them since then, but not nearly as powerful as that first one.

Each time though, I was able to quiet the noise with 2 words that are more powerful than the fear - 
total faith. Simply saying those two words, a couple of times, helped calm me down and remind me of the bigger picture.

What if it doesn't work out?  Well, I’ll just try something else. One way or another I’ll end up doing something, somewhere.

I actually did this once before, believe it or not.  I was in retail management for about 8 years when I decided I wanted more. At that time I was in my late 20’s, I had nothing saved, I didn't have a college degree nor did I have a plan. I left and never looked back. I’m so grateful I did. A story for another time….

This time around I’m in my late 40s and bettered prepared. I've saved, I've earned 2 degrees since then and I have a plan.

I also have a lot more to lose, however. That must be what produces the jolts!

So, the past month has been a roller coaster of emotions. My mind is actually more active than ever. The difference now is that it’s focused and clear about what I need to do. I've sketched out a vision of what my work day will look like now. I’m currently working on a “map” that will lead me to the goals I've set. I also made a list of all of the reasons I’m making this change – just to remind me what it’s all about and what I stand to gain by taking this risk.


I’m ready now, at least as ready as I can be, to turn my keys in to my boss and unlock my future without them...

Al

Saturday, November 16, 2013

Hometown Love #1

NEUTRAL, NATURAL, MODERN, RUSTIC, VINTAGE & VINTAGE-INSPIRED GIFT IDEAS FROM BUFFALO, NY

 

You've been following the "Shop Buffalo Etsy" themed gift guides on this site, right? Well, it's no secret that I love to make treasuries, so in support of Buffalo's talented artisans and pickers I've started a series of "Hometown Love" gift finds.

View the treasury here:
https://www.etsy.com/treasury/MTAwNjM2OTF8MjcyMjY4MzY4MQ/hometown-love-1?ref=pr_treasury


Find even more temptations within each of the featured shops when you use the following links:

ROW 1
https://www.etsy.com/shop/jennilyons81
https://www.etsy.com/shop/ABunnyandBear
https://www.etsy.com/shop/NestWell
https://www.etsy.com/shop/LaunchDesignCo

ROW 2
https://www.etsy.com/shop/MichaelMandolfoPhoto
https://www.etsy.com/shop/Clementinyclothing
https://www.etsy.com/shop/lovetojournaldotcom
https://www.etsy.com/shop/vicarlo

ROW 3
https://www.etsy.com/shop/Buffaloscapes
https://www.etsy.com/shop/buffaloartprints
https://www.etsy.com/shop/GretchenColeJewelry
https://www.etsy.com/shop/BuffaloGalOrganics

ROW 4
https://www.etsy.com/shop/RustBeltPress
https://www.etsy.com/shop/WiseApple
https://www.etsy.com/shop/DeborahMcGeeArt
https://www.etsy.com/shop/cheryl12108


Hungry for more local finds? 
Discover more Buffalo Etsy Team shops here:

https://www.etsy.com/search?q=buffaloetsyteam&ref=shop_search


Wishing you loads of Buffalove,
Carla
https://www.etsy.com/shop/716Buffalos


Saturday, June 8, 2013

ART SHOWS 101: Survival Tips for Show Artists and Crafters,Vol.12: Educational Field Trip Time!




ART SHOWS 101: Survival Tips for Show Artists and Crafters
             
     Volume 12: Educational Field Trip Time!




If a picture is worth a thousand words, then a big, live Art Festival is worth ten thousand of my posts -- at least!

I’m varnishing, framing and matting like a wild woman this week, so I’m writing and scheduling this post on Tuesday instead of barely making my Saturday deadline. This will be short and sweet :-)

If you are still on the fence about whether or not to show at outdoor festivals, or if you are just curious, take a trip down to the Allentown Art Festival this weekend. Nicole Johnson and I will both be set up on Delaware Avenue, and there will be about 450 other artists and craftspeople with us.

This is a great opportunity to do some research. Take a look at the wide variety of work and displays. Look at the tents, the shelves, tables, panels and weights. Look at the work. Check out the prices, the signage, the demeanor of the artists.

Pick out the best display, the worst, the ones that are unique and the ones that seem like a cookie cutter repeat of that display you see at every show.

Pick out your favorite, buy a little art :-)

And most of all -- have fun!



Until next time -- keep creating!

Alison

https://www.facebook.com/ArtistAlisonEKurek

Saturday, May 18, 2013

ART SHOWS 101: Survival Tips for Show Artists and Crafters Vol. 9: How to handle discount seekers, clueless festival goers and artist wannabes




             
     Volume 9:
How to handle discount seekers, clueless festival goers and artist wannabes


“What do you want for that?” $50?! I’ll give you five bucks, take it or leave it!”

Artists and craftsmen who have done even a small number of shows are painfully familiar with those words -- or at least the sentiment behind them.

The clueless, sometimes rude, comments that are made to show artists and craftsmen never cease to amaze me. Right behind the low-ball discount seeking comments are phrases like:

“Look at this stuff. My kid can make that!”
“Do you know who makes all of this stuff?”
“How did you do that? Exactly?” Like, say I would want to make one.....”

And the list goes on and on........... because, when you are dealing with the public, you are bound to run across a jack-ass or two :-)

So, how do you respond to questions and comments of this sort? Do you give in to the discount seekers and sell your new, beautiful work for a fraction of your asking price? Do you angrily snap at the “would-be” customers and commenters and tell them to get out of your booth?

The answer to both questions is NO! But you should have a plan to deal with situations like these. While I can’t tell you how to set your pricing policies, or give you canned responses to all of the ridiculous comments and questions you may receive, I CAN tell you that it’s really not worth blowing your top at the festival goer who has asked you the 100th stupid question of the season. It may feel good for about a minute, but it’ll make you look bad to anyone within earshot -- and you really don’t want to lose a sale to a non-discount-seeking customer because you were a jerk to the person standing in front of them in line.


Think about and formulate a discount policy BEFORE you go to your show. While it’s absolutely fine to NOT offer discounts of any sort, there may be situations in which you do want to offer one. You may want to establish a “Friends and Family Discount Policy” -- something like a standard 10%- 20% off your asking price.You can also choose to extend that discount to repeat customers and people buying large amounts of work at one time if you’d like. Establishing a policy, (even if it’s just written in your head :-) will do two things. First, it will make you really think about your pricing and profit margin. Second, with a policy in place , you won’t be caught off guard when a complete stranger asks for a discount. Do you need to give a complete stranger the same discount you would give to Aunt Sally? Hell No! But you’ll at least have done the math and decided on the maximum discount you’re willing to give. 


As for the insulting low-ball “I’ll give you five bucks for that” comments, just grit your teeth and say “No” -- with a smile, albeit a fake one. I’ve found that it’s just not worth your breath to explain that all of the items in your booth are hand-made and they are not flea market items; or taking the time to remind the offending asker that he does not bargain for purchases at supermarkets or gas stations; or stating that your art work is a means of making a living, not a hobby. While that may all be true, it’s not going to change the mindset of Mr/Mrs. Five Bucks, but it will frustrate you and waste your time.

As for the myriad of other strange, weird, funny, insulting and unbelievable comments you may receive, take the high road and answer as politely as possible. Keep in mind that many people attending festivals and shows just don’t understand what we do. We want to believe that each and every person who walks into our booth knows the hours upon hours of time we spend creating out work, and the time and energy we spend getting ready for the show, and the jury processes we go through to be accepted into shows, but they don’t! Many of them are well meaning individuals who truly think we are selling someone else’s work and are given free spaces to do so; and some of them just don’t take the time to think about how their questions will be interpreted by us. Not that I'm saying we're over-sensitive, but are we? :-)

At the end of the day, get together with other show artists. Share and trade your stories. Laugh about them. If all else fails, blog about them. I do : http://alisonekurek.com/?p=617




Until next time -- keep creating!

Alison

https://www.facebook.com/ArtistAlisonEKurek




Saturday, May 11, 2013

ART SHOWS 101: Survival Tips for Show Artists and Crafters Vol. 8: Pricing



 Volume 8:  Pricing


Do you have questions about how to price your work? One method of determining your price is to do a little comparison shopping. You can do this by attending local shows, going to local shops and galleries, and even checking online sources like Etsy; but if your show is next week you need some answers now!




A quick Google search of the words: artist wholesale pricing formula turned up a plethora of advice, some of it very good! Here are some of the highlights of what I found along with links to the original sites:



Etsy’s Basic Pricing Formula: 

Materials + Labor + Expenses + Profit = Wholesale x 2 = Retail

It’s easy to track your material costs, and doable, if not always easy, to determine the actual amount of time you spend creating a piece (although I know I always underestimate my time). The tricky part can be determining your expenses. If you work out of a rented studio your costs are pretty cut and dry, but if you work out of your home things get murky. It’s easy to dismiss expenses like rent (mortgage), utilities, and phone charges when you pay those bills  anyway , business or not -- but they shouldn’t be dismissed!

Make the time to sit down and write out ALL of your expenses. Really think about it. Even the small things. Do you use your computer and internet service for your business? How about your computer printer? And what about all of those miles you’ve logged driving back and forth to the craft supply store? Be honest, but be inclusive. 

Don’t forget to pay yourself! What would you expect to be paid if you were working for someone else? Be realistic and fair.


More Pricing Advice from Alyson B. Stanfield’s Art Biz Blog:


Guidelines for Pricing Your Art

Your prices must be consistent. People shouldn’t pay less at your open studio than they do at a gallery. You have one price and should never (never ever) undersell your representatives.

Start on the low end, while paying yourself enough. You can always raise your prices. It’s nearly suicidal to lower your prices later and it won’t make your current buyers happy at all.

Don’t forget to pay yourself a wage! The most common mistake artists make is forgetting to pay themselves. You have to cover overhead and materials, but you also need to be compensated for your time.

Attach higher prices to originals and larger works. As a general rule, originals are priced higher than reproductions and larger works sell for more than smaller works. 

More expensive materials (bronze, precious gems) command higher prices

Know your market. Study the pricing of artists working in the same genre (abstract, local landscape, portraits), showing in the same venues, and who are at about the same place in their careers.


The faster you work and more prolific you are, the lower your prices–in general!

If you can’t produce enough work to keep up with the demand, it’s time to raise your prices.

Instead of lowering your prices, you’re free to offer discounts for friends, family, and your best customers. Call it a discount and write the receipt so the buyers know the true value.

You can find her original post here:  http://www.artbizblog.com/2010/12/pricing-your-art.html

And follow her on Facebook here:  https://www.facebook.com/artbizcoach

Until next time -- keep creating!

Alison



Saturday, April 27, 2013

ART SHOWS 101: Survival Tips for Show Artists and Crafters


                                                         

                                           Volume 6: I’m What?!! WAIT LISTED?


So, once you’ve applied to a show the results are clear -- right? You’re either accepted or rejected. It’s Yes or No, Yea or Nay. Well -- not always. Here’s a bit of information about being chosen as a Alternate; a.k.a. being Wait Listed.

WHAT DOES IT MEAN?

Being Wait Listed for a show means that you were “almost” chosen to be one of the first pick exhibitors. You’re On Call in case an exhibitor cancels -- and they do cancel, more often than you’d think. Wait Lists are usually set up by categories -- so if a painter cancels a wait-listed painter will be called, if a photographer cancels another photographer will be called to take his place, and so on. 

WHY DO SHOWS HAVE WAIT LISTS?

Show promoters DO NOT like empty spaces at shows! Other than looking bad and messing up the flow of a show, empty spaces often mean lost revenue. Show promoters have a laundry list of expenses including advertising, municipal permits, security, entertainment, port-a-johns, etc. Their costs for putting on the show are set whether artists show up or not. Many shows have a sliding refund policy. For example, if you cancel 90 days before the show you might get 80% of your fee back, 60 days before - 40%, 30 days before - 20%, down to 0% if you cancel within a week or two of the event. 
The reason for this is obvious. While it might be pretty easy to fill a vacant space a couple months before a show, a cancellation a couple days before the event will be much harder to fill. The wait-listed artists may have found other shows to exhibit at, they may not want to travel last minute, or they may not have built up enough stock to do the show last minute.

DO ALL SHOWS HAVE WAIT LISTS?
No, and you’ll see empty spaces at these shows more often than not. These shows usually have much less flexible refund policy.

DO YOU HAVE TO EXHIBIT IF CALLED?
No, and you won’t be charged an exhibit fee either. I was once called off a wait-list for the 3 Rivers Arts Festival in Pittsburgh 24 hours before the show. I didn’t have hotel reservations, I hadn’t made travel arrangements, and it was just too short of notice to pick up and go.

WHAT ARE THE CHANCES YOU’LL BE CALLED TO DO THE SHOW?
It varies. 
The number of artists on the wait-list varies from show to show, so it’s hard to say what the odds are that you’ll be called. 
If memory serves, I think I’ve been called to exhibit about 1/3 of the times I’ve been wait-listed -- but I know others who almost always get into shows they’re wait listed for. 

Wishing you all the best for your upcoming shows!

Until next time -- keep creating!

Alison



Saturday, April 20, 2013

ART SHOWS 101: Survival Tips for Show Artists and Crafters Vol. 5

     

                               Volume 5: Who’s Afraid of the Big Bad Outdoors?

Have you read Al's post this week? It’s all about accepting the scrapes and bruises we get on the road to success and not being afraid to fail -- because without initial failure, we often times do not succeed:

http://buffaloetsyteam.blogspot.com/2013/04/following-your-path_18.html

I smiled when I read his post -- in part because it was well written and inspiring, but also because I’d like to talk about one of those topics too: fear.

It’s occurred to me that, in an effort to prepare new show exhibitors for possible weather related issues, I’ve scared the hell out of them! I’d like to say right now, LOUDLY, that that was NOT my intent! 


In truth, outdoor shows may not be for everyone. They really are a lot of work -- and our inability to control the weather does put us at risk. But let’s face it, there is risk in everything we do! 


So -- instead of talking about the “what ifs” of outdoors shows, I’d like to point out some of the well known positives of exhibiting al fresco.


I’d also like to correct the comment I made last week about $200 canopies not being a good option for outdoor festival shelter. I’ve since learned that one of our team members, and a rather successful one at that, has been exhibiting at outdoor shows with a canopy she purchased at BJ’s Wholesale for, you guessed it, $200! I’m so happy to eat my words about this that I'm going to purchase one for myself as a back-up canopy. But I’m NOT going to budge an inch on weights! Be sure to weight/anchor this and ANY canopy as if your art and craft work safety depends on it, because it does.

Here’s a link to BJ's canopy info:

http://www.bjs.com/e-z-up-10-x-10-instant-shelter.product.159064?dimId=2003159



                  TOP Reasons to Exhibit at Outdoor Art and Craft Shows:

• Outdoor shows are community events so they are well advertised

• Most outdoor shows have MUCH higher attendance than indoor shows.

• Most outdoor shows attract a MUCH more diverse audience than indoor shows.

• Outdoor booth spaces are bigger than most indoor show spaces. A LOT bigger!

• A well advertised show that draws a large, diverse crowd to view your large display of work 
  can often time lead to more sales


So -- before you make a final decision against outdoor exhibiting, visit a few shows, ask some questions, and do a little research. You may find that the great outdoors is the perfect setting for your work.


Until next time -- keep creating!

Alison